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Nuendo 6 Completo Full 12
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Innuendo is the fourteenth studio album by the British rock band Queen, released on 4 February 1991 by Parlophone in the United Kingdom[4] and it is the band's first studio album to be released by Hollywood Records in the United States. Produced by David Richards and the band, it was the band's last album to be released in lead singer Freddie Mercury's lifetime, and their most recent one to be composed of entirely new material, save for The Cosmos Rocks by the Queen + Paul Rodgers collaboration. It reached the No. 1 spot on the UK album charts for two weeks, and also peaked at No. 1 in Italy, the Netherlands, Germany, and Switzerland, staying at No. 1 for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.
The album was recorded between March 1989 and November 1990.[5] In the spring of 1987, Mercury had been diagnosed with AIDS, although he kept his illness a secret from the public and denied numerous media reports that he was seriously ill. The band and producers were aiming for a November or December release date in order to catch the crucial Christmas market, but Mercury's declining health meant that the release of the album did not take place until February 1991. Stylistically, Innuendo is in some sense a return to Queen's roots,[6] with its harder rock sound, complex musical composition (title track), psychedelic effects ("I'm Going Slightly Mad"), and strong vocals from Mercury ranging three octaves (F2-F5). Nine months after the album was released, Mercury died of AIDS-derived bronchopneumonia.
The album cover was designed by Queen and Richard Gray. The booklets and single covers from the album are by Grandville, or are inspired by his illustrations. Innuendo was voted the 94th greatest album of all time in a national 2006 BBC poll.[7]
Mercury did not speak publicly about his health, saying that he did not want to sell his music out of the people's sympathy. He was determined to continue working on music with Queen for as long as he could, saying that he would "keep working until I fucking drop".[9][12] Mercury was persistently bothered by reporters at his London home, making it difficult for the band to record music. As a result, the band relocated to Mountain Studios in Montreux, where the safer and more peaceful atmosphere allowed the band to concentrate.[8] Early in Innuendo's recording, the band decided again that all work would be credited to Queen as a whole instead of to individual contributing members; May said that the decision made a significant impact in the recording process, while Taylor said that it helped eliminate much of the egotistical struggles that would normally cause bands to break up.[13]
"Innuendo" began as a jam session in Switzerland amongst Brian May, Roger Taylor and John Deacon in spring 1989. Freddie Mercury was upstairs and heard them playing the beat, and turned it into a song, creating the melody and starting off the lyrics. From then on all four worked on polishing the track and Taylor took over the lyrics (which were written as a tribute to Led Zeppelin and their song "Kashmir"). The middle section, written by Mercury, was included later and it featured a synth-orchestra programmed by producer David Richards and a flamenco interlude played by Yes guitarist Steve Howe, who had come to visit them and was asked to play.[15] "Innuendo" was released as a single in January 1991, debuting at No. 1 in the UK.[16]
"The Show Must Go On" was written by May, based on a chord sequence he had been working on. May decided to use the sequence, and both he and Mercury decided the theme of the lyrics and wrote the first verse together. From then on May finished the lyrics, completed the vocal melody and wrote the bridge, inspired by Pachelbel's Canon. Some keys and ideas were suggested by the producer too. The song chronicles the effort of Mercury continuing to perform despite approaching the end of his life.[25]The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of clips from all their videos since 1982, in support of the Greatest Hits II album. Due to Mercury's critical health at the time of its production, a fresh appearance by the band in a video was not possible. The track is a personal favourite of fellow British artist Elton John, who performed the song at the Freddie Mercury Tribute Concert with the remaining members of Queen, and Tony Iommi playing rhythm guitar.[26] A different live version featuring John on vocals later appeared on Queen's Greatest Hits III album.
"Innuendo" was the lead single from the album in most countries, except for the US where "Headlong" was released to radio as a promo prior to the album's release. The single was released on 14 January 1991 in Europe and in March 1991 in the US as a promo single, becoming Queen's third UK No. 1 single. The song also achieved modest success in the US, charting at No. 17 on Billboard's Mainstream Rock Tracks chart. Still, the length and style of the track limited its appeal, and it only spent one week at No. 1 in the UK and quickly slid down the chart, spending only six weeks in the top 75. (B-side on 7 inch release: "Bijou").
People wrote "If this is cartoon rock and roll, at least it's good and brazenly cartoonish."[37] The Orange County Register observed "Queen dispenses with any stylistic variations or flirtations with dance music and offers its basic sound: lots of Mercury vocal leaps, fuzzed-out May guitar, choral overdubs and a sense of orchestral importance mixed with straightforward hard rock", concluding that it was a "mixed bag".[2] The LA Times wrote "Given the bombast and harsh assault of Queen's biggest hits, it's a shock to find that the heart of... Innuendo, is made of soft, sweet, sticky, sentimental goo", but added "The goo actually goes down well" and "Queen hasn't forgotten how to rock."[38]
It is a complete suite of processing and post- production technology developed by the German company Steinberg. It includes all the necessary tools in the field of multi-track editing, including a full set of effects to shape your sound.
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MATTHEW LOEL T. HEPWORTH has been teaching music technology since 1984. The son of educators, he has the ability to thoughtfully instruct people to get the most from complicated music products and software. He authors the Cubase and WaveLab tutorials for macProVideo.com and authored several books including WaveLab 7 Power!, The Power i... Read More 2ff7e9595c